Preview up to 100 items from this collection below. Prints, drawings and paintings by artists Mark Tobey, Kenneth Callahan, Helmi Juvonen, Robert Cranston Lee and others celebrate the Northwest. Many pieces hail from the 1934 Public Works of Art Project.
Stan Pocock Interview, September 1986
Stan Pocock (1923-2014) was a prominent rower and coach in Pacific Northwest rowing. He was born in Seattle and had an interest in rowing from an early age thanks to the legacy of his father, George Pocock (1891-1976) who was renowned for his design and construction of rowing shells. George Pocock was responsible for the construction of the rowing shells used by the University of Washington in their 1936 Olympic championship and supplied collegiate rowing shells across the nation. Stan attended the University of Washington and graduated with a degree in engineering. Stan carried in his father’s footsteps and became known for his own innovations, creating the first fiberglass rowing shell in 1961. He also became a successful rowing coach, leading eight crews to the Olympics during the 1950s and 1960s; coaching the University of Washington rowing team and acting as the first coach of the Lake Washington Rowing Club. In 2012, USRowing awarded Pocock the Medal of Honor, honoring his lifetime achievement in the field.
Identifier: spl_ds_spocock_01
Date: 1986-09-14; 1986-09-17
Industrial, Commercial, and Residential Map, 1926
Map depicting industrial, commercial and residential zones along with parks and cemetaries. Also marked are areas predominently populated by African Americans, Japanese, Chinese and Italians.
Identifier: spl_maps_2479649
Date: 1926
Township Plats of King County, Washington Territory - Page 05, Township 21N, Range 3E
This atlas shows early land ownership for King County, Washington, providing names and property boundaries of original purchasers, grantees, claimants, etc.
Identifier: spl_map_218451_P05_T21N_R3E
Date: 1889
Map of the Oregon Territory by the U.S. Ex. Ex., 1841
This map embraces the United State Possessions west of the Rocky Mountains, between the parallels of 42 degrees and 54 degrees 40?N., and also shows Fremont?s Pass through the Rocky Mountains.
Identifier: spl_maps_367358_04
Date: 1841
Beaver totem pole in front of home in Wrangell, Alaska, ca. 1899
Identifier: spl_ap_00074
Date: 1899
Totem pole in Wrangell, Alaska, ca. 1899
Identifier: spl_ap_00081
Date: 1899
Gourmet's Notebook, v.10, no.7, Sep. 1982
Cafe Juanita, pg. 55; El Puerco Lloron, pg. 51; Elliott Bay Fish and Chowder House, pg. 54; Jazz Alley, pg. 52; Kokeb, pg. 49; Second Landing, pg. 53; Shezan, pg. 50
Identifier: spl_gn_928180_1982_10_07
Date: 1982-09
Launching Meares' new schooner
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.147
Date: 1955
Blind Aaron's wife, ca. 1899
Identifier: spl_ap_00131
Date: 1899
Sea Serpent and Grizzly totem poles outside Chief Shake's house in Wrangell, Alaska, ca. 1899
The pole on the left is the ""Sea Serpent"" pole and the pole on the right is the ""Bear up Mountain"" pole.
Identifier: spl_ap_00075
Date: 1899