Northwest Art Collection
Preview up to 100 items from this collection below. Prints, drawings and paintings by artists Mark Tobey, Kenneth Callahan, Helmi Juvonen, Robert Cranston Lee and others celebrate the Northwest. Many pieces hail from the 1934 Public Works of Art Project.
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Gourmet's Notebook, v.13, no.3, Mar. 1985
Aurora's, pg. 23; Basil's Off the Center, pg. 17; Il Fiasco, pg. 21; Nieuw Amsterdam, pg. 20; Place Pigalle, pg. 19; Restaurant Romania, pg. 18; Rhododendron, pg. 22
Identifier: spl_gn_928180_1985_13_03
Date: 1985-03
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Chart of the Viti Group or FeeJee Islands by the U.S. Ex. Ex., 1840
This map embraces the Viti or Feejee Group, consisting of one hundred and fifty-four islands, with numerous coral reefs, etc.
Identifier: spl_maps_367358_05
Date: 1840
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Township Plats of King County, Washington Territory - Page 23, Township 26N, Range 5E
This atlas shows early land ownership for King County, Washington, providing names and property boundaries of original purchasers, grantees, claimants, etc.
Identifier: spl_map_218451_P23_T26N_R5E
Date: 1889
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Yukon River valley, ca. 1899
Identifier: spl_ap_00019
Date: 1899
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Invitation from Officers and Committees of Dixie Day to Dixie Day reception and ball in the Washington State building, August 24, 1909
Printed invitation particularly requesting the presence of ladies to the reception and ball with dancing to be held at 9:00.
Identifier: mohai_ayp_2006.3.46.7
Date: 1909-08-24
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Group of musicians in carriage branded with "Home Comfort Stables," ca. 1910s
In addition to his career as a plumber, William Leroy Brown (1871-1939) was also a musician. According to Paul Dorpat, he was a charter member of the local musician's union and ""played the clarinet in "Dad" Wagner's popular concert and marching band." The hats of the men holding instruments in this photo appear to say Wagner, making it possible they are members of the band. Home Comfort Stables appears to have been Yakima business so location is likely either Yakima or Seattle. See note for more on the Brown family.
Identifier: spl_dor_gpn_re_00242
Date: 1910; 1911; 1912; 1913; 1914; 1915; 1916; 1917; 1918; 1919
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Solomon Katz Interview, 1985
Solomon Katz (1909-1989) was a University of Washington professor, dean and provost and community patron of the arts. Katz was born in Buffalo, New York and attended Cornell University where he studied ancient history. In the 1930s, he taught Greek at the University of Oregon before moving to the University of Washington in 1936 where he taught Roman, Byzantine and medieval history. During World War II, Katz served as a major in the Army Air Force Intelligencer. Following the war, Katz returned to the University of Washington and became chair of the history department in 1954, dean of the College of Arts and Sciences in 1960 and Provost and Vice President of Academic Affairs in 1965. He retired from the University in 1979. Katz was part of many organizations including the Seattle Center Advisory Commission, the Lakeside School Board of Trustees, the board of the Seattle Repertory Theatre, the Seattle Arts Commission, the Seattle Art Museum, the Haas Foundation and Patrons of Northwest Civic, Cultural and Charitable Organizations (PONCHO).
Identifier: spl_ds_skatz_01
Date: 1985
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Nookta Indian liked the spoons
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.138
Date: 1955
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Meares near Tatoosh Island
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.144
Date: 1955
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Miles Canyon on Yukon River, ca. 1899
Miles Canyon and the Whitehorse Rapids were two of the most treacherous points for ships traveling the Yukon River in an effort to reach the Klondike gold fields. This photograph was published in the June 1900 issue of Harper's Weekly.
Identifier: spl_ap_00160
Date: 1899